How to Grow and Preserve a Garden

Don’t worry overmuch about details. Consult a grandchild about where you should put the garden, and then dig up the lawn wherever they point. Pretty much if you till the ground and throw some seeds in and make sure it gets watered, things will grow. You will have to do the tilling, but little kids like to help plant seeds. Show a grandchild how to do the first one and then let them do the rest however they want. If they get bored and abandon the job, you can finish it.

The best way to water is the beer method: stand out there watering for as long as it takes you to drink a beer while the child swings on the rope swing. When your beer is done, or the child wants to do something else, you are done watering.

Harvest when there are too many strawberries for the child to keep up with by eating them straight from the vine. For veggies, harvest whenever. If several are ripe together, then you can preserve them.

People worry about canning, but really the process is pretty easy. It’s okay if your kitchen is dirty as long as the jars are clean. Boil the jars in a stock pot while you are cooking the preserves. For the preserves, measurements can be approximate; let a grandchild do the measuring, but don’t let them stir the preserves if they are young, lest they burn themselves. They can help transfer the hot preserves to the jars if they are old enough and carefully supervised. Details like head space and pretty labels don’t matter; if the jar is 2/3rds full, it will be fine. Process the jars in the stock pot and then take them out and line them up on the counter. Draw your grandchild’s attention to the popping sound as each jar seals.

Give the preserves to your children: the grandchild’s parents, aunts, uncles. The labels can read “cranberry something” or “corn peppers onions.” A general idea of what the jars contain is fine.

Months after you die, your children will open the jars, and you will be able to feed them again.

 

- Tedra Osell is a freelance writer and editor who lives in California with her precocious son and a bitey cat. She used to be a famous blogger and a non-famous English professor. Her father died of pancreatic cancer this spring.

How to Make Spaghetti

You don’t like spaghetti Neo what style anymore? Neopolitan? You been eating it Neopolitan style. You ate it Neopolitan style before you went off to Yale. I don’t care if they served 3 kinds of pasta with 3 different kinds of sauces to choose from.

Image by jeffreyw/Flickr

Image by jeffreyw/Flickr

Boil the spaghetti. Add some salt. Also add oil so it doesn’t stick together. Brown some ground beef seasoned with Lawry’s. Use some paper towels to drain the oil from the beef. Heat some jars of Ragu in a pot. Season it; you know Ragu doesn’t have any flavor. Chop up some bell pepper and onions. Drain the cooked spaghetti. Pour it back into the pot you boiled it in. Add the warm sauce, meat, bell peppers, and onions. Stir it up.

Sauce to pasta ratio? Girl, you can eat this spaghetti or starve.

- Deesha Philyaw is the co-author of Co-Parenting 101: Helping Your Kids Thrive in Two Households After Divorce, written in collaboration with her ex-husband. Deesha's writing on race, parenting, gender, and culture has appeared in The New York TimesThe Washington PostThe Pittsburgh Post-GazetteFullGrownPeople.com, and elsewhere. At The Rumpus, Deesha inaugurated an interview column called VISIBLE: Women Writers of Color. 

How to Make Potato Salad

Thanks to Black Twitter, the world now knows the significance of potato salad to Black Americans. I don't know why this is, or why potato salad, of all foods, but I do know that "Who made the potato salad?" is the first question you ask before making a plate at a cookout. Because you don't eat just anyone's potato salad. But decades before Twitter existed, my mother instilled in me this culinary suspicion and potato salad monotheism: hers was the one true way to make it. She would bring her potato salad to cookouts, baby showers, and other events, even when she wasn’t asked to bring it. People raved about my mother's potato salad and this only reinforced her belief that hers was the only acceptable potato salad and no one else’s would ever measure up.

Dice the potatoes. Cook until firm. Unless you plan to make mashed potato salad. Also put on a pot of eggs to boil. Drain the potatoes and let cool on the counter, and then chill the potatoes and eggs inside the refrigerator. Finely chop some bell pepper and white onions. Don’t be lazy and chop them into hunks. No one wants hunks of bell pepper and onions in their potato salad. If you can’t do it right, then move and I’ll do it. Once the potatoes are cold, chop the boiled eggs. Combine the potatoes and egg in a large bowl with the peppers and onions. Then do all of the following BEFORE stirring—you don’t want to overstir and end up with mashed potato salad: season with Lawry’s, black pepper, and paprika; add mayo, not Miracle Whip; add yellow mustard (this is not white people potato salad); add pickle relish. Stir just enough to blend and coat the potatoes. You should have added enough mustard and paprika so that it is almost day-glo orange and not white like white people potato salad. Sprinkle a little more paprika on top. And serve. You know, I don’t eat anybody’s potato salad except Van’s. She’s the one who taught me how to make it. 

 

Image by Whitney/Flickr

Image by Whitney/Flickr

I never made potato salad for my mother. Hers was delicious, but I prefer to make mine with less mustard. Or as my mother would say, more like white people’s

- Deesha Philyaw is the co-author of Co-Parenting 101: Helping Your Kids Thrive in Two Households After Divorce, written in collaboration with her ex-husband. Deesha's writing on race, parenting, gender, and culture has appeared in The New York TimesThe Washington PostThe Pittsburgh Post-GazetteFullGrownPeople.com, and elsewhere. At The Rumpus, Deesha inaugurated an interview column called VISIBLE: Women Writers of Color. 

How to Fry an Egg

Use a skillet big enough for only one egg. Others may want one; they can make their own. Your daughter asks you to show her how; you tell her you'll teach her, but later. When you're finished eating. She'll forget because children are stupid, forgetful. She'd ruin it anyway, and waste an egg.

Adjust the tie on your bathrobe. Pour a scotch. Slide the egg from the pan onto one of the good china saucers—you didn't carry them across the ocean to sit in a cabinet. Bring it and your drink to the table along with the Times you've tucked into your armpit.

Cut the egg all at once in neat rectangles; salt and pepper it well. She will watch you, ask how you knew when it was done. Ignore her. Set your knife, dripping with yolk, delicately, nearly noiselessly across the plate's edge. Others would drag the blade across the fork to retrieve the leavings, but that is a chore for people who have not-enough.

The author and her father

The author and her father

Take a bite. Open the newspaper and hold it in front of you. She will ask for a taste. Ignore her. She will ask for a bit of the paper. Remove the funnies; place them beside your plate. Hand her the business section. She will give up soon enough.

- Stefanie LeJeunesse

How to Make a Sugar Tit

First, get your mind right. Fool. We aren’t trying to hear that.

For whiners, complainers, man-babies, actual babies.

When shocked by bratty behavior, narrow your eyes and in your most disgusted voice - the one you have to reach to your toes for because what is sarcasm without the odor of feet and fungal decay - say, out loud, “What do you want? A sugar tit?” 

Oh, DAMN. No, they didn’t. 

But, wait. What is a sugar tit? Really? What is it?

It’s what you give babies who are crying when you can’t give them yourself. It’s a homemade pacifier made from sugar and bits. Make one like this*:

Take a piece of cloth - cotton, clean. Bandana, hankie, scrap of sack cloth. An apron will do in a pinch.

Lay it on the table.

In a small bowl, make a paste of honey, white sugar, and bourbon. Never give your infant moonshine. What are you anyway?

Place the mixture in the center of the cloth. Draw the sides together using the cloth to consolidate the mixture into a ball. Tie in a knot above the glob or secure it with string, twine or a rubber band. Apply to infant.

 

*Do not confuse this with actual advice. Think of it as dodgy field medicine. No honey for infant under one year. And don’t give your babies alcohol. No one deserves moonshine. Your infant least of all.

Jennifer Cumby is a contributing editor here at Dead Housekeeping and is the senior Family Ties editor at Maximum Middle Age, which you should check out, here.

Fleischkuechle

She made Fleischkuechle, a strange sounding name for hamburger rolled in flour and fried in a pan. Afternoons, school finished, I’d watch her at the stove, her hair sometimes stacked up in curlers like a fern, sweat trickling down her cheeks from the heat in the kitchen, the spiced tang of meat ripe in the air around us as I sat at a table struggling with math homework, struggling with puberty, struggling with being her son.

She was a focused chef. All the good ones were, she said. We were poor but still she was a chef. I wished she'd pay me as much attention as the food she prepared.

My brothers were always away and I wasn’t sure how to talk to my mother so I’d make up terrific lies that she may or may not have believed. It gave us something to talk about.

“Here,” she’d sometimes say, tossing me a potato peeler. “Strip these as fast as you can.” Strip for peel. A dozen potatoes on the counter, things that looked more like gourds or discarded embryos.

“You are the smart one in the family, reading your poetry,” she said, snickering. “But you can still do things with your hands, or else you’ll go soft.”

1916 color lithograph by Yvonne Vernet from the Library of Congress Prints & Photographs Online Catalog.

1916 color lithograph by Yvonne Vernet from the Library of Congress Prints & Photographs Online Catalog.

As I peeled potatoes I felt Mother coming up behind me, which made me speed up the slicing of the skins. I wanted her to think me capable of carrying out a command. Cigarette smoke wafted over my head and into my eyes, stinging, and I hoped they wouldn’t water.

She leaned across my shoulder and took one of the spuds in her hand, inspecting for a moment, before thrusting it close to my face. “You’re careless. You’re missing the divots, the eyes. See, there’s still dirt and skin there.”

“I’m sorry.”

“Yes you are,” she said, dropping the potato on the table. I heard it thunk, watched it roll off and bounce across the floor. 

“Pick it up and wash it,” she said.

We raised and butchered chickens. It’s a scary thing when you’re nine. The beheaded birds would fly off squirting blood, dead but somehow still alive, like me, I’d think.

 

Len Kuntz is a writer from Washington State, an editor at the online magazine Literary Orphans, and the author of I’M NOT SUPPOSED TO BE HERE AND NEITHER ARE YOU out now from Unknown Press.  You can also find him at lenkuntz.blogspot.com

Peanut Butter Crackers

Mom would place a box of Salerno saltine crackers, a large jar of smooth Peter Pan Peanut Butter along with a couple of sticks of Blue Bonnet margarine on the kitchen table, putting my older brothers and sister in charge of breakfast. The center of the table had a stack of comics for our morning reading. Coffee was bubbling in the percolator on the table’s edge.

My oldest brother Rich would open the box of crackers to begin the process. He would cut a wedge off the margarine and spread it across the crackers, salty side in. My other brother Pat would slide a knife full of peanut butter on a separate cracker and press the buttered side together with the peanut butter one. My older sister Ruth would pour us each black coffee while I watched the assembled crackers rise on a plate like a Jenga tower before my two brothers decided we had enough.

We would each grab a stack and dip them in our coffee, watching the oil seep across the surface. I loved to squeeze my crackers to make margarine ‘worms’ curl out through the holes. Speaking was at a minimum while we dunked crackers in coffee, ate, traded comics and refilled coffee cups. It was the start of our day.

Two more kids and a half dozen apartments later, Mom would reminisce how she kept us healthy with the peanut butter meals we consumed. She had gotten the tip from a woman she worked with during World War Two when rationing was in place. “Protein keeps you going and peanut butter was one item we didn’t have a problem getting,” she said. “I did what I had to do and you all turned out fine.”

 

- Kathy Doherty has a Bachelor’s in Creative Writing from Metropolitan State University Denver. She has published work in airplanereading.org, Metrosphere, Foliate Oak, Hot Metal Press and One Million Stories Anthology. She lives in Parker, Colorado with her amazing Siberian Forest cat, Vladimir. 

Fair Share

My mother wanted all for whom she baked to enjoy their fair share. She often adjusted her work to make sure. 

Take her chocolate chip cookies. Surveying twenty-four blobs of raw dough on the last two cookie sheets, she redistributed chocolate chips and walnut pieces until she achieved fairness. Only then did the dough go into the oven.

When she baked a pan of bread pudding or a casserole of rice custard, she inspected the stirred, poured mixture for an equal distribution of raisins before entrusting the dish to the oven. 

When Mom was visiting after the birth of my second child, she offered to make me a healthy bread pudding full of whole wheat bread, eggs, milk, grated apple, cinnamon, and, of course, raisins. While I nursed the baby in the kitchen, mom and I chatted quietly as she measured, mixed, and stirred. The longer my son nursed, the hungrier I became. At last, he fell asleep, and I was ravenous. But mom hadn’t even put the pan of bread pudding into the oven. Unconsciously, she had been placing one raisin at a time into the mixture as though planting equality in perfect rows.

- Andrea (Andi) M. Penner, President of the New Mexico State Poetry Society since 2015, arrived in New Mexico for doctoral work in 1994, and stayed to teach college English. She now works as a technical writer, editor, and program communications specialist, and writes creatively in the wee hours. Her first collection of poetry, When East Was North, was published in 2012 by Mercury Heartlink. 

the author with her mother, August 1987

the author with her mother, August 1987

Marlene's Bread Pudding

Bread pudding is forgiving, not exact. Be sure to use dry bread so you don't create a mushy mess. If your bread is fresh, you can dry it first in a 300°F oven, or toast it slightly in a toaster.

3 cups dry bread cubes (about 4 or 5 slices of good whole grain bread)

4 eggs

2 cups milk

1/3 cup sugar (brown is nice)

1/2 teaspoon ground cinnamon (you could also use ground ginger)

1/2 teaspoon vanilla extract

1/2 c. raisins (or dried cranberries)

(optional: 1 grated tart apple, sprinkled with lemon juice so it doesn't turn brown)

Preheat oven to 325°F and lightly grease a small baking dish (8" x 8").

Beat together eggs, milk, sugar, cinnamon, and vanilla in a mixing bowl. Mix in the grated apple.

Place the dry bread pieces in the baking dish and sprinkle it evenly with raisins. Pour the egg mixture over all. Bake for 35-40 min, or longer if needed, until a knife inserted in the center comes out clean. 

 

Making Manicotti (Mon-a-gaught)

“The crepes are very, very, easy; you just have to keep an eye on them,” my mother said as she stood in my kitchen, wearing her familiar blue apron — my sister’s long-discarded Kmart smock. These were her precise instructions:

Crack six eggs in that blender. Add 1 ½ cups of water and flour, but not all at once or you’ll clog the blender. Let it run for a few seconds. Don’t overmix it!  

The batter has to rest for half an hour, so let’s get the ricotta going. I hope you didn’t buy fat-free, it’s tasteless. Get rid of some of the liquid. Dump the ricotta into that big bowl. Now crack a couple of eggs and fold them into the ricotta. 

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Marie La France in 1990 wearing her much loved Kmart blue smock. She is actually holding a Kmart flashing blue-light special lamp. The picture was taken during the author's sister's surprise 30th birthday party. She is laughing so hard she's doubled over.

We have to chop the parsley. Is it washed?  It has to be dry or it won’t chop. I told you to wash it last night. You never listen. Did you get flat-leaf? Curly parsley is terrible.

Let’s do the crepes now.  Heat up the crepe pan—medium low.  No oil.  The first crepe comes out lousy. Don’t worry about it. Grab that gravy ladle and pour a ladleful into the pan.  Swirl the pan so the bottom is coated.  Wait for the edges to curl and come away from the pan.   Okay, now grab that spatula and pick the crepe up—GENTLY! Put it on the dish towel. Now listen, wait for the pan to heat up again. You’re always so impatient.


- Denise Sawyer is a new writer enrolled in the Creative Writing and English program at Southern New Hampshire University. She is also an active member of the Creative Women Writers of Greater Derry located in Derry, NH where she shares her creative works with other new writers and published authors. Her latest endeavor is a memoir taken from the pages of her diary penned at the age of 16. The year was 1971 and she has some doozies. She lives in Londonderry, NH with her musician husband, Jeff and their cat, Dizzy named after the great jazz musician, Dizzy Gillespie. Denise makes manicotti every Christmas Eve, and tries to remember to wash the parsley the night before.

The First to Go

The first time you cook for her after moving in, make sure it’s something fancy. A rubbed pork-loin perhaps. Spend a week researching it online, and all day cooking it. When she comes home, the delicious smells will permeate the hallway. Serve it with ginger mashed potatoes and Harissa-infused butter. “What’s Harissa?” she’ll ask. You will explain. It will be delicious.

After you get engaged, take things a step further. Prepare an Indian-spiced turkey with a green rub that sits in the fridge for days. It will look disgusting but result in the most juicy, flavorful, subtly-spiced turkey any of your friends have ever tasted. Serve it at the annual Thanksgiving potluck. It will be the first to go. 

image by Meredith Counts

image by Meredith Counts

Collect spices. Common and obscure ones. Things she’s never heard of. Things she has no idea how to use. Garam masala. Fenugreek. 6 varieties of pepper. So many spices that you quickly run out of room in the limited cabinet space provided in a small, New York City apartment. Build a custom spice cabinet from scratch to accommodate them all. A narrow base cabinet, 6 inches wide and 24 inches deep. Buy a new wooden butcher-block countertop to cover it, and while you’re at it, replace the old, peeling Formica countertop throughout the entire kitchen. 

Go to sleep and never wake up. A month before your wedding, she will be out of town and one of your closest friends will find you there, in bed, covers wrapped around your still body. The spice rack, and spices, and the hard drive full of untried recipes will remain. Maybe one day she’ll find the strength to use them.


- Gyda Arber is a theatrical writer/director best known for the transmedia theatrical experiences Suspicious Package (The Brick, 59E59, Edinburgh Fringe, Future Tenant: Pittsburgh), Suspicious Package: Rx (published in Plays and Playwrights 2010), the award-winning post-apocalyptic dating show FutureMate (Lincoln Center, The Brick) and the ARG-inspired Red Cloud Rising (called “brilliant” by the NY Times). Named “Person of the Year” by nytheatre.com, Arber is the director/creator of the interactive play Q&A: The Perception of Dawn, the writer/director of the short film Watching (Bride of Sinister Six), and the director of The Brick/FringeNYC sold-out hit Theater of the Arcade: Five Classic Video Games Adapted for the Stage. Also an actress, Arber has appeared at Lincoln Center, The Public, 59E59, and most frequently at The Brick, where she also serves as the executive producer of the Game Play festival, a celebration of video game performance art. A graduate of NYU and the Maggie Flanigan Studio, Arber is a 4th-generation San Franciscan, currently residing in Brooklyn. www.thefifthwall.info

Wine Trifle

Two weeks before Christmas, your nephew’s wife calls for a recipe. 

“Christmas isn’t Christmas without your trifle, Aunty Pauline!” she says. You agree.  

It’s your mother’s recipe. You make it faithfully each year, remembering her hands moving swiftly, the smell of her kitchen. You recall marvelling at how the cake, custard and gelatine kept obediently to their separate layers.

Your grown children remain stubbornly disinterested, and you’d worried who would carry this tradition. But this girl from another culture, another tradition, has called you. Heart filled, you recite;  

Use day old sponge cake, cut into squares. Spread jam over each one. Any flavour, but I like strawberry.

Dip each jammy square quickly into sherry. Don’t let it fall in, or rest too long. It’ll soak up too much sherry, and everyone’ll get drunk on dessert.

You can substitute 100% orange juice — for the kids and the wowsers.

Make up some custard with egg, milk, sugar. Thicken it with custard powder.

Line the base of your glass dish with the sponge squares, jam side up. Pour the custard over the top. Put this in the fridge to cool. That’s very important. You have to make sure it’s cool before you add the jelly or the gelatine’ll melt.

images by Asha Rajan

images by Asha Rajan

Use Port Wine jelly (or orange, for the kids’ version). Don’t buy the cheap stuff, you’ll taste the difference. Make it up, and let it set in a separate bowl.

When everything’s good and cold, when the jelly’s set, crumble it and fork it on top of the custard. Don’t mix it through. Separate layers are more festive.

“Give my love to my nephew,” you say, keeping your voice chipper, don’t let the loneliness interject.  “Tell him to call me once in a while.”

You put down the phone, and pick up your grandmother’s bible.  That too, you’ll pass on to your nephew’s wife.

- Asha Rajan

images by Asha Rajan

images by Asha Rajan


She Says It All Without Stopping

I am sitting in the kitchen of my grandparent’s house, after school. It is 1969. Corny old fashioned things—like home remedies and mountain music—are all the rage. My grandmother tells my hippy cousin in Pennsylvania on the phone how to make her own stomach ache medicine. She says it all without stopping washing the dishes as she talks. The phone is cradled on her neck, the long green cord hanging down from the wall to where she is standing. Take your cast iron frying pan, she says, you have a cast iron one, right? I know your mother had one. Good. Get it hot, then throw in a handful of pearl barley. Yeah, just a handful.  It’s got to be pearl I don’t know why. Add a little water. Just a little. Stir it. It smokes and it stinks. Keep on adding water as the barley cooks, until the barley fries black, then you add a little more water, you know, maybe a shot glass full, stir it and pour it back into the shot glass through a clean white handkerchief. Or whatever you got over there you can use. Let it cool. Drink it. It tastes like poison, but it works good. My grandmother stops talking, turns the tap to put more hot water in the sink, then: Do you see your brother a lot? Tell him hello for me. So when are you coming down? 


Juleigh Howard-Hobson lives on a permaculture farm in the Pacific Northwest, where the home remedies she picked up from her grandmother in Greenpoint Brooklyn are still the rage. (Although, that burnt barley recipe will never be a favorite.) Her work has appeared in The First Line, Prime Number, KeyHole, The Liar’s League, Going Down Swinging, Danse Macabre, Pemmican, Sugar Mule and plenty of other places in print and in pixel. Not bad for a person who spends entire mornings moving straw bales around.

Disappearing Act

My father made the early morning tea, a vigorous, wake-up decoction. Everyday.

Fill a saucepan with water from the UV-purification apparatus.

Don’t leave it on the stove too long; it makes the oxygen boil away and the tea taste flat. Is that a scientific explanation? All I know is freshly boiled, not over-boiled.

Assemble the cups, sugar, milk. The ceramic teapot.

Image by the author

Image by the author

A splash of hot water to rinse and warm the pot. Don’t try scrubbing the stains off. It give the tea a detergent flavor.

Lipton Red Label. Yellow Label will do too. No pale, high grown varieties. A teaspoon-full per person.  

Pour in the boiling water. Put the lid on. Wrap the teapot. A tea cosy? Too dainty, too tight, pulls the lid off. Use a kitchen towel.

Wait for seven minutes. Yes, seven. Gives you time to warm the milk, step out on the verandah, think. Longer is fine, if you like it strong.

Now I make the tea. It is weak and dissatisfactory, not steeped long enough. I don’t want time to think.

We drink it by my father’s bed. The bed is low, fitted with wheels and stand-up sides, and has a mattress covered in layers of plastic protection. Mostly he is still, but every now and then, he flings himself about and the bed slides. The teak case that houses mementos of my parents’ life shakes with the impact. Behind the glass doors of the case, the jointed mobile segments of the papier-mâché dancer with arm outstretched jiggle back and forth, the chipped, yellow finger pointing.  

Were he with me, we would have laughed.

 

- Indira Chandrasekhar, a scientist turned fiction writer founded the magazine Out of Print, an online platform for short fiction connected to the Indian subcontinent. Her short stories have appeared, among other places, in Far Enough East, rkvry, Eclectica and The Little Magazine, and have won awards and been shortlisted, most notably in the Mslexia shortstory competitions. She is the co-editor of the anthology, Pangea, Thames River Press, 2012. Links to her published work may be found on her blog, indi-cs.

Growing Avocados Like Asa

Cut carefully around your avocado, longways. Twist to separate and spoon out half the insides. Spread onto toast and sprinkle with salt and pepper. Over the next twelve hours, the other half will brown. You can't bring yourself to eat it so you peel away the gummy, dried exterior, pry loose the pit and toss the rest with regret. Clean the pit gently with warm water. 

Reach into the spice cabinet for the twenty year old box of toothpicks you stole from your grandparents' house and will never empty. (Your sister will, though, and store it, flattened, between photos of you at her first birthday party.) Pierce the pit with three toothpicks spread equidistantly, careful not to snap these tiny supports in half. During rainy months they'll bend on insertion and you will say to no one, "oh, crumb."

The author at her first birthday,&nbsp;with brother Asa, age 13.

The author at her first birthday, with brother Asa, age 13.

Suspended in a half-full cup of water, the pit sprouts roots and stem if you shuttle it from sunbeam to sunbeam. 

Eat half an avocado on toast once a week. 

Leggy, an undeniable eyesore, their roots will circle the bottoms of jam jars and promotional glasses from The Spaghetti Factory. Change the water weekly but never plant a single one.

-Stefanie Le Jeunesse

When you don’t have enough, it’s okay to substitute.

Any chef will tell you substitutions are crucial to innovation. However, in grandma’s house, innovation often tasted bitter. Grandpa would point us to the refrigerator and nearly beg us to eat whatever was in there. “Get it out of the house,” he’d say.

One of grandma’s favorites was Rice Krispy treats, a delight in nearly any other kitchen. Here, they were always rock-hard. Yet the recipe is so simple I can easily recite it from memory.[1]

In grandma’s kitchen, lining up ingredients was not part of the recipe; she’d only check the pantry as the list demanded. And she wouldn’t have enough of something. Maybe Karo syrup. So she improvised. Just add more granulated sugar. Or peanut butter. When grandma asked me to taste a spoonful, I’d think of ways to not hurt her feelings. “You can really taste the peanut butter,” I’d say, or, “Wow, what are these? Raisins?”

Pictured: The author's brother and grandma, with a safe, store-bought cake.&nbsp;The fact that we have no pictures of her in the kitchen helps prove the point that she was not immortalized there.

Pictured: The author's brother and grandma, with a safe, store-bought cake. The fact that we have no pictures of her in the kitchen helps prove the point that she was not immortalized there.

Now that I’ve learned to cook, I want to take her into my kitchen, to resurrect her from memory and make her real again. We’ll spend an afternoon skipping work, playing in the kitchen. She’ll ask where the rolling pin has gone, and I’ll tell her it’s in a box back in Spokane, along with her china and matching silverware. She’ll pet the cat and ask if I’ll ever move back home. And while we make our batches of gooey, peanutty treats, I’ll tell her that I would if she would be there, too.


I would, even for her home-cooked meals.


[1] See author bio.



- Jenne Knight’s Peanut Butter Rice Krispy Treats are made with 1c granulated sugar, 1c Karo syrup, 1c creamy peanut butter, and 6c Rice Krispies cereal. On the stove, slowly melt the sugars and peanut butter in a large soup pan. Remove from heat. Stir in the cereal. Once coated, immediately pack the mixture into an 8 by 8 pan. Let cool. Eat. Find more at www.jenneknight.com.




Dancing on Egg Cartons

Once upon a visit to my childhood home, my grandmother winced to watch me toss into our kitchen garbage bin an emptied Styrofoam egg carton (remember these? the shapely squeaky cups seemed to ask, no matter how matter-of-fact you fondled them).

I winced as I watched her reach under our kitchen sink, into the stinking trash to retrieve the carton—to bring it back into the light of use, but differently.  For she then set it on the floor, and stepped to it—stepping on it—each squelching shell popping beneath her small feet dancing, until the carton was a cartoon of itself, flattened. 

Now it could be trashed better, and she laughed to see me stunned by the world more neatly wasted.

(Of course she died—and as I write this I do believe she liked dancing this way: to think how much more good could come to fill the space [she] left behind.)

photo by the author

photo by the author

Years pass and compression complicates the matter.  Landfills rise to the surface of someone’s memory, sometimes beautifully.  My wife, born and raised in Tokyo, never met my grandmother of the farmlands of Cambridge, Ohio.

But in the first weeks after living together in an apartment, I laughed to see my wife better sort what I threw away: out into the same sun of my childhood came the egg carton (no longer Styrofoam, but cardboard compressed).  And down on the kitchen floor she danced over it, the same unlikely steps matter-of-fact, exacting the past and the future, the East and West of the curve, shaping the heaping land filled to bursting with the collective stuff of memories—

She danced this way over-and-all-through the thing, laughing.


"Universal waste like batteries and lighting equipment should not be mixed in with regular trash,” Terence Huber learned lately, and removed lighting equipment from his usual curbside pick-up in Lakewood, Ohio.  Out of the darkness, other works of his will appear or have been published in American Letters & CommentaryDenver Quarterly and Great Lakes Review.

Let Her Think it's Terrible

When a grandchild pesters you for a sip of your coffee, because you have a known sweet tooth and she figures whatever you're having must be good, make a strong pot and give her a steaming mug of her own.

Telling her coffee will stunt her growth won’t work. She is contrary and will say she prefers to be small. She still isn’t brushing her teeth because someone tried to turn Merritt Morrison’s dentures into a cautionary tale. That backfired and now she wants false teeth just like he has.

Give it to her straight, so full she can hardly lift it.

After her first burning taste she will leave you alone. Don’t say you haven't had your coffee black since the war. Add milk and sugar when she wanders off to pet the poodle. Stir idly, enjoy.

In the afternoon the child will grab her customary can of Coke from the fruit cellar. She’ll find you first, sweeping sweet-smelling sawdust in your little basement woodshop or enjoying the sun on a patio lawn chair, planning tomorrow’s puttering. Maybe you will trim the apple tree, or hose off the cement Virgin who presides by the shed.

painting by Kathy Codere (daughter of the subject, mother of the author)

painting by Kathy Codere (daughter of the subject, mother of the author)

Do you want a pop, too? She’ll drink hers in front of the TV with M&Ms from the cut glass candy jar by your seat on the couch.

This same method works for your evening 7&7s. Let her have a harsh taste of Seagram’s before you sweeten it. She won’t bother you for another sip and her mother will come take her home as you turn the dial to Wheel of Fortune.

 

- Meredith Counts is a Founding Editor of Dead Housekeeping. This piece appears on the three month anniversary of starting this site.