How to Be a Good Party Guest

Always arrive at least an hour-and-a-half early to offer to help. For instance, you might notice the plastic cutlery sticking up out of the cup that’s holding them. Turn them down, for sanitary purposes. 

Or say you arrive and two paper streamers have been sloppily twisted together and hung over a door. Streamers should be folded properly. Start by taping the ends of two streamers perpendicular to each other, and then fold end over end, until you can’t fold any more. Then tape the other two ends together. It will open up sort of like an accordion and look the way streamers are supposed to look. Once at a party, I had to quickly make streamers to replace a twisty mess that had been hung over the door, and others to hang around the cake table. 

Images by StillWorksImagery and bsaxonspencer/pixabay Modified by Dead Housekeeping

At another party, there were so many things wrong, I couldn’t fix them all. The tablecloth was wrinkled, the silverware was tarnished, the chicken was unwashed. Someone said it was curry chicken. I did not eat it. I could tell just by looking at it that it was unwashed. But the thing that really got me? They didn’t have mints and nuts. Who has a party without mints and nuts? So I drove to the store and picked up some pastel mints and mixed nuts and put them on the table with the wrinkled tablecloth, alongside the tarnished silver and the dirty chicken. It was the best that I could do, given the circumstances.

- Deesha Philyaw is the co-author of Co-Parenting 101: Helping Your Kids Thrive in Two Households After Divorce, written in collaboration with her ex-husband. Deesha's writing on race, parenting, gender, and culture has appeared in The New York Times, The Washington Post, The Pittsburgh Post-Gazette, FullGrownPeople.com, and elsewhere. At The Rumpus, Deesha inaugurated an interview column called VISIBLE: Women Writers of Color. 

How to Celebrate the Vernal Equinox

Plastic grass tucked in loose nests into baskets. The full moon just passed. The formica from 1964 with alternating wheels and stars in mint and sunshine. She calls us “Bewwwip!” from the back door. We run, twigs from the apple tree in our hair. “Okay now,” she says, pulling the egg from the carton’s hollow center. We stand back, hands clasped, eyes on her delicate fingers. The first stands, and she smiles. “Let’s do two.” And the second. Witchcraft. The Egg of Columbus. She rights a third.

the author's Mama

The phone rings from the grocery store. They, too, have stood their eggs at noon. Now social services. A law class. The notions department at the store downtown. Eggs stand all over town, the phone ringing. We know that eggs will stand on a Friday in February when the mourners file out into the frigid air. We know that eggs will stand when we celebrate birthdays, when the wreath we place in December collapses into wire and foam by Easter. The eggs will stand, and she quietly believes in the magic and does not, her faith another form of wit and play, the pagan inside her teasing the Catholic. We share the secret knowledge that the eggs will stand whenever we need them, but not yet. For now, it is all light and gravitational pull, all things in balance. She plucks them up from the counter and boils them for lunch, the shells cracking from the steam.

- Frances Badgett is a writer and editor in Bellingham, WA. Her fiction and poetry have appeared in Drunken Boat, Matchbook, Smokelong Quarterly, The Atticus Review, among other places. She is the fiction editor of Contrary Magazine and editor-in-chief of a local lifestyle magazine. 

Warding Off the Evil Eye

It is strict adherence to ritual that keeps your loved ones safe. Rise at 4 am to pray. The Gods are most attentive in the early hours. Morning prayers, an oil lamp lit every evening before the electric lights are flicked on, a ban on Friday travels, these are your lines of defence against evil.  

Be watchful, ever vigilant for the intrusion of errant spirits into the family. A crying child in the evening, a sure sign of the Evil Eye.  

Gather your arsenal while muttering under your breath about the visiting neighbour-woman, with her too abundant praises, her too ardent admiration of beauty and intelligence in the child. Steel yourself, this is no trifling issue. Shut your ears, your heart to the child’s sobs, she is held and comforted by her mother.  

Work quickly, ignoring the arthritis gathering in your joints. Before misfortune falls.

First the dried red chillies, one, two.  

Then the black mustard seeds. A small pinch will do. 

Gather together with grains of rice, 

Circle the child’s head precisely thrice.

Throw the spices with deadly aim

Into the fire of licking flames.

Chanted prayers allay the fears,

And distract the young one, now no longer in tears.

image by Asha Rajan

Keep a keen eye for the wisps of smoke rising from the fire-flung spices. These mark the demise of the Evil Eye, the restoration of the world to its rightful order. 

Your daughters, and one day your granddaughters too will repeat these actions, and think of you.

- Asha Rajan

Disappearing Act

My father made the early morning tea, a vigorous, wake-up decoction. Everyday.

Fill a saucepan with water from the UV-purification apparatus.

Don’t leave it on the stove too long; it makes the oxygen boil away and the tea taste flat. Is that a scientific explanation? All I know is freshly boiled, not over-boiled.

Assemble the cups, sugar, milk. The ceramic teapot.

Image by the author

A splash of hot water to rinse and warm the pot. Don’t try scrubbing the stains off. It give the tea a detergent flavor.

Lipton Red Label. Yellow Label will do too. No pale, high grown varieties. A teaspoon-full per person.  

Pour in the boiling water. Put the lid on. Wrap the teapot. A tea cosy? Too dainty, too tight, pulls the lid off. Use a kitchen towel.

Wait for seven minutes. Yes, seven. Gives you time to warm the milk, step out on the verandah, think. Longer is fine, if you like it strong.

Now I make the tea. It is weak and dissatisfactory, not steeped long enough. I don’t want time to think.

We drink it by my father’s bed. The bed is low, fitted with wheels and stand-up sides, and has a mattress covered in layers of plastic protection. Mostly he is still, but every now and then, he flings himself about and the bed slides. The teak case that houses mementos of my parents’ life shakes with the impact. Behind the glass doors of the case, the jointed mobile segments of the papier-mâché dancer with arm outstretched jiggle back and forth, the chipped, yellow finger pointing.  

Were he with me, we would have laughed.

- Indira Chandrasekhar, a scientist turned fiction writer founded the magazine Out of Print, an online platform for short fiction connected to the Indian subcontinent. Her short stories have appeared, among other places, in Far Enough East, rkvry, Eclectica and The Little Magazine, and have won awards and been shortlisted, most notably in the Mslexia shortstory competitions. She is the co-editor of the anthology, Pangea, Thames River Press, 2012. Links to her published work may be found on her blog, indi-cs.

CAFE CON LECHE

Fill a saucepan with cold water.  

Place on a medium flame, and spoon in Bustelo.

I can’t say how much. They never measured. They just knew. I just know. I ought to: I watched my mother and grandmother do this every day of my childhood, and beyond. 

When you have spooned out enough, begin to gently stir. You want all of the coffee grounds to become drenched.  

Do not look away. It takes only a moment for this to boil over and leave you with no coffee to drink. Que pena.

You will see the crema form a moment before the liquid starts to rise. The very second you see the rising water - rich and brown like beautiful mud - turn off the flame and pull the saucepan off the stove.

image by the author

With one hand, hold the saucepan full of hot water and coffee grounds. With the other, hold the coffee sock high, over a second, empty saucepan.

Pour the liquid into the sock. Slowly, so that the coffee has time to drip through the muslin. Too fast, and it will overflow. Otra pena. 

When most of the coffee has dripped through, let the coffee sock, full of wet grounds, rest in a mason jar. A bit more coffee will drip out over time, and this will capture it.

Take the saucepan with the coffee and top off a mug that is ⅔ full of boiled milk.  

Two sugars. It tastes like every single thing I remember. Brujeria sagrada.

- Lana Nieves is a Puerto Rican writer from Brooklyn, NY. She started drinking cafe con leche,  while sitting on her mother's lap, at her grandmother's kitchen table, when she was three years old.